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Poster Print Display: Melville Library, Level 2, East Mezzanine


Explore a curated selection of our diverse collections. This poster print display reflects an ongoing commitment to connecting the university, community, and visitors to our research collections through cultural heritage, shared stories, and scholarship.

Access a PDF with descriptions and images from the Special Collections display.

Below are a few examples of the poster prints.  

Robert M. Emery Long Island Rail Road Collection
Stony Brook Station, Stony Brook, New York
Photograph; circa 1905.
Sepia-toned photograph attributed to Arthur S. Greene showing the arrival of the 2:37pm train at the Stony Brook depot. 

Exterior of Stony Brook station house, c1905


Nova Belgica et Anglia Nova
Map; Willem Janszoon Blaeu [Amsterdam: Blaeu, 1640?]. 
This map of New Netherland and New England reflects the Dutch perspective on early explorations. Long Island has been given the place name “Matowacs.” Several other important place names make their first cartographical appearances: Manhates (Manhattan), Hellegat (Hell Gate), and Adrian Blocks eylandt (Block Island).

Hand-colored 17th-century map of New England and the Mid-Atlantic, from Penobscot Bay to Chesapeake Bay


Main floor of Coe Hall at Planting Fields, Oyster Bay, New York.

Photograph; circa 1959.
Coe Hall, the main building at Stony Brook University’s first campus in Oyster Bay consisted of a dining hall, a coffee shop, a lounge, a library, and the “great hall.”

Interior of library at Coe Hall at Planting Fields, Oyster Bay, c.1959


The Emory Payson and Jean Wilcox Tuttle Estate Collection
Old Field Point, New York.
Photograph; February 4, 1902.

Schooner "John Crockford” abandoned in ice on the Long Island Sound three miles off of Old Field Point, New York.
Photograph by Byron W. Hallock.
Gift of the Tuttle Family.

Men standing on ice in the Long Island Sound by Old Field Point, New York, February 2, 1902. Photograph by Byron W. Hallock.


Tintypes and Portraits Collection
This collection offers a glimpse into the lives of African Americans during the post-Civil War era, a period often underrepresented in historical documentation. Tintypes, popular from the mid-19th century, were affordable and accessible, making them a common medium for personal portraits.

African American man wearing a hat pictured in a 19th-century tintype portrait.